PART 2
When we last met, we were talking about the modernists trying to get out of conventions and back to "reality". If you missed part 1, click HERE.
When we last met, we were talking about the modernists trying to get out of conventions and back to "reality". If you missed part 1, click HERE.
Post-Modernists were
not too sure about that possibility. Their work is based on foundations laid
both in Romanticism by philosophers like Nietzsche, Freud and Marx and in
Modernism by, especially, the Swiss linguist Ferdinand de Saussure.
| Nietzsche and his 'stache |
| Freud is trying to tell you that yon CANNOT be with your mom forever.
|
| de Saussure |
(I am having serious
de ja vu about the introductory lectures. I am giving you the cliff notes of
what took us a good year to, somewhat, understand...if by "understanding", you mean
breaking the clouds of the initial terms and concepts only to realize you know
enough to have no clue what on earth you are doing and wonder what you have gotten
yourself into. For a nice illustration of what I mean, see the comic below from
the great site “Itchy Feet”)
From the Romantic thinkers
came the concepts (that the Modernists also used, but hadn’t radicalized to
such an extent) that man’s destiny is shaped by the moral codes (Nietzsche),
economic structures (Marx) and unconscious urges and psychological development
(Freud). In the end, this means that the ‘subject’ was ‘subjected’ to structures
beyond his or her control. Thus post-modernism uses a dual meaning of ‘subject’
– subject of and subject to. You may be the subject of a speech act (you, for
lack of another term, “decided” to make it), but you were also subject to
various constraints in not only grammar but also psychology and social etiquette,
and many more things – which is, in part, what my MA thesis is about.
All of
this the modernists knew and accepted to varying degrees. The revolutionary and
radical element was our little Swiss friend.
Click HERE for part 3
Click HERE for part 3


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